Playing Games: Audio of Final Fantasy XV (part 2)

One thing I've learned from my students is that I should qualify the study of certain games with: spoiler alert!  Interestingly, the consensus seems to be that this applies for modern games only.  I still do say spoiler alert before I play the ending of the original Mega Man in class, but that just gets a laugh.  However, I'm well into Final Fantasy XV now-- between a few different saves, close to 100 hours-- and am starting to think about my late game audio reactions.  While I haven't yet quite finished the story, I'm basically just messing around with side quests and hunts near the end game at this point.  In a way, it's to extend the game, but it's also for me to collect my initial thoughts about the long duration audio experience of the game.  So, warning: spoiler alerts -- at least in terms of the audio-- are probably inherent with these thoughts.  I can definitely say that hearing the musical ending to the story of this game is a delight I'm anticipating, yet delaying at the moment.  I'm such a nerd-- does anyone else really play with these thoughts in mind?  
 

Chocobo Theme 

One of my fascinations of game audio is the examination of themes and their development across games in a franchise.  It's such a powerful homage to use themes from previous games, and yet utilitarian as well.  While composers probably struggle with how to put their own stamp on these classic themes, they convey instant information to the seasoned player.  Consider the Chocobo Theme of Final Fantasy; this is obviously one of the most popular theme in the Final Fantasy universe.  Long time players of the series like me expect to hear a Chocobo Theme in a Final Fantasy game and look forward to discovering how it will be presented.  I mentioned in my previous Final Fantasy XV post that my first encounter with he theme was when Prompto sings it with made up lyrics just prior to when Chocobos become available to the player.  Now having ridden them for hours, I'm thinking more about the how this version of the Chocobo Theme relates with previous versions.  FF XV keeps the theme in G major, the most common of themes across the franchise, especially the early part.  In using strummed/picked instruments as well as fiddle/violin, the theme here has a very bluegrass-rock folk feel as well as a sense of improvisation.  In a way, it reminds me of music I would've heard at family reunions growing up in North Carolina.  This works well for riding an animal around outdoors.  Overall, it's a great Chocobo theme in my opinion.

Shimomura gives a nod to Final Fantasy VII and Uematsu...

One other musical moment that jumped out at me would be very much lost on a less experienced Final Fantasy franchise player.  As I was exploring, I immediately noticed that the town theme of Meldacio Hunter, called "The Hunters" in the FF XV soundtrack has a striking resemblance to Under the Rotting Plate (pizza) from Final Fantasy VII.  These are both in E minor, the and virtually the same tempo-- I clock FF VII at 79 bpm and FF XV's theme at 80 bpm and both have notable soft percussion along with a distinctive recurring bass motive.  In the FF VII instance, the piece has a second section that makes use of the main theme of FF VII that the main theme of FF VII.  In "The Hunters" from FF XV, I don't hear an explicit use of another theme in the game, but the noodling electronic guitar often uses the melodic B-F# interval and my ear is pulled to hearing a loose version of the B-F#-A-G-F#-E theme from Hammerhead.  This is certainly more obscure than the Chocobo Theme would be to many players, but no less strikingly obvious for those who know the series well.  What a meaningful audio tribute to Uematsu and the history of the series, but in a more subtle manner than a repeated theme like the Chocobo or Victory themes.  Compare them for yourself...

I could go on all day about these theme comparisons across the franchise... but for now two shorter thoughts just to finish this up.

Spicy Spoken Dialogue

I'm enjoying the voice acting of FF XV very much.  However, there are quite a few lines with a sexual innuendo that really stood out to me.  Consider first the female representation.  Cindy is obviously a sexualized character and when you approach her she often greets you with the line, "What can I do you for?" with a southern accent.  Makes me feel at home!  Or my favorite is when you make adjustments to your car and she's leaning over it in a mildly ridiculous fashion as the camera angle is from behind and says "And this goes... there!"  I've got nothing against a sexual joke, and a video game isn't supposed to be perfectly appropriate at all moments, but I suppose in my "old age" these really stood out to me.

Two others that have to do with male banter:  The most blatant line in the game came very early to me when I was fishing.  Gladious can say to Noct when he reels in a fish: "Puny, just like yours." This sort of male banter isn't unusual in any way, but left me wondering why the writers went with a putting down of Noct's member.  Why not reverse it?  Why couldn't the line be: "Wow, that one's a real whopper, just like yours!"  I guess it wouldn't be as funny that way, but the line left me wondering why the designers decided to diss his penis size rather than praise it.  Another example: one of the lines when you approach the Longawythe cafe worker about complete hunts is "think you're up to the task?"  Again, this is perfectly innocuous, but something about the way that the actor delivered the line in this particular take and the inflection of the word "up" struck me as another knock on Noctis' manhood.  "Ah yeah... here it comes!" is one of Prompto's lines possible when just about to eat.  Whew, Prompto, I'm getting thirsty myself...

The Radio

The last aspect I wanted to touch on in this second writing on the audio in Final Fantasy XV is the radio.  This is a really under appreciated part of the game in my opinion.  I love the ability to hear music of my choice from the franchise during the gameplay.  Now, I'm such a purist that I wish the tracks had been the original versions of the music, out of tune and clunky pieces from the first Final Fantasy, for instance, instead of the updated GBA releases.  But, that's probably just me longing for more nostalgia.  Since before the game was ever released, there were lists published of what music would be available to hear.  But not every track from another game is available, obviously; only certain tracks are.  How were decisions made about which tracks would be used from the various games and which would not?  How was the order of the tracks within each game album decided as well?  I'm guessing the first one was chosen to be a very iconic tune from the game that would help players to recognize it immediately.  Still, these are questions that I'd be interested to know more about and doubt there will be much discussion over.  I've also been fascinated to notice how the tracks are titled.  For instance, from Final Fantasy VI "Darryl's Airship" or "Second Airship" or something like that is titled "Searching for Friends."  Were these updates to the translations for these titles?  Or did I just never know these titles correctly?  More to investigate.

The interactivity of audio is still the most striking part of this Final Fantasy game to me.  For instance, the way that summons are announced as available is initially by a musical cue.  Before any other onscreen notice of the availability, the music changes and then summon command becomes visually available.  Also, the way to know that you're about to have a random encounter in the main world, Lucis, the music changes to an audio cue and Ignus says: "That Magitek Engine-- it's close!"  These are simply huge improvements.  I can't attend GDC this year, but if I could, no question I'd be at the talk about the music of Final Fantasy XV.  Below's a preview if you want to whet your appetite.  

I'm hoping to finish up my thoughts about the audio once I've completed the game in a third part to this Final Fantasy XV audio series.